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Summer Panorama
Painting ID:: 90682
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Andreas Schelfhout
Summer Panorama
oil on panel
Dimensions 47 x 66 cm (18.5 x 26 in)
cjr
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Een bevroren vaart bij de Maas
Painting ID:: 90762
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Andreas Schelfhout
Een bevroren vaart bij de Maas
1867(1867)
Medium oil on canvas
Dimensions 70 x 107 cm (27.6 x 42.1 in)
cjr
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Skaters and figures on a frozen river
Painting ID:: 97641
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Andreas Schelfhout
Skaters and figures on a frozen river
oil on panel
Dimensions 21.3 x 29.1 cm
cyf
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Dutch boats moored on a river beside a windmill
Painting ID:: 97804
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Andreas Schelfhout
Dutch boats moored on a river beside a windmill
oil on panel
Dimensions 16.5 x 22.5 cm
cyf
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Travellers on a country lane
Painting ID:: 97900
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Andreas Schelfhout
Travellers on a country lane
oil on panel
Dimensions 25.5 x 32.5 cm
cyf
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Andreas Schelfhout
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(February 16, 1787, The Hague - April 19, 1870, The Hague) was a Dutch painter, etcher and lithographer, known for his landscape paintings.
He belongs to the Romantic movement. His Dutch winter scenes and frozen canals with skaters were already famous during his lifetime. He became one of the most influential Dutch landscape artists of his century.
He started as a house painter in the framing business of his father. He already started painting pictures in his spare time. After a well-received first exhibition in The Hague, his father sent him to receive proper training to Joannes Breckenheimer (1772-1856), a stage designer, in The Hague. He learned not only the technical aspects of painting, but also made detailed studies of the 17th-century Dutch landscape artists Meindert Hobbema en Jacob van Ruisdael.
In 1815 he started his own workshop. Through his technical excellence and sense of composition and his use of naturalistic colours, he soon became famous also outside The Hague. In 1819 he was awarded the Gold Medal at the exhibition in Antwerp. In 1818 he became a member of the Royal Academy for Visual Arts of Amsterdam. He reputation continued to grow and in1822 he was given the rank of Fourth Class Correspondent of the Royal Dutch Institute. From then on, one exhibition followed after another.
Initially he painted mainly summer scenes, beach scenes, and animal paintings. But as his initial winter scenes even had more success, he began to include them in his exhibitions. He was mainly a studio artist, relying on his sketches done en plein air. His sketchbook Liber Veritatis (Book of Truth) shows that he made about twenty paintings a year, among them a few foreign views. This indicated that he travelled abroad around 1825. In later years he visited France in 1833, England in 1835 (especially to study the works of Constable) and Germany.
He provided training to several painters who would become famous in their own right : Johan Hendrik Weissenbruch, Johan Jongkind (one of the forerunners of the Impressionists), Charles Leickert, Jan Willem van Borselen, Nicholas Roosenboom, Willem Troost, the American Hudson River School Painter Louis Remy Mignot and his son-in-law Wijnand Nuyen.
At the end of his career he put together a series of eighty landscape drawings, mainly recordings of previous paintings and watercolours. They were drawn in chalk and lightly coloured.
His death marked the end of the Romantic period in Holland. He is considered a precursor of the Hague School
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